Author Karuna Riazi has been a fan of Madeleine L’Engle since she was an 8-year-old reading A Wrinkle in Time. That love for Wrinkle and its protagonist, Meg Murry, brings Karuna to the first Walking on Water Conference this fall (yay!). She’s part of the stellar panel of We Need Diverse Books authors who’ll be talking about a new generation of Meg Murrys: What Fantasy & Speculative Fiction Inspire. We’re so geeked to feature her today on the blog!

Welcome, Karuna Riazi.

What excites you about the Madeleine L’Engle Conference?
I love how being invited — and honored as a guest! — at this conference makes me feel like my writing and reading life has come full circle. I first read A Wrinkle in Time when I was eight, as my next door neighbor and long time family friend saw me browsing her bookshelves for something new. That prompted her husband — a middle school science teacher — to offer me his own copy (with the caveat that it needed to be returned, which it was … quite reluctantly) with the assurance that “I would enjoy it.”

I did, and revisited it many times after that, along with Ms. L’Engle’s other wonderful titles. Now — probably to the disbelief of my eight year old self — I get to discuss it and how I am carrying on her legacy (shivers) at the conference!

Do you have a Madeleine story/quote/moment that has inspired you?
“You have to write the book that wants to be written. And if the book will be too difficult for grown-ups, then you write it for children.” This quote has carried me through a lot of moments in which my love of writing for children has been demeaned, dismissed or otherwise brushed aside as “not serious craft.”

In what ways does a legacy like Madeleine’s inspire the way you create art for a new generation?
When I look at Madeleine, who was a woman of faith and a woman author, I feel so deeply that I can be who she was and pass on the gift that she gave me. I can represent those communities, along with the other marginalized communities I inhabit, and stir people to wonder and to love and to unity with my words, and encourage kids to look within themselves and see the spark of magic and bravery and strength that only they have.

What are you working on now?
I am working on a great many things, as always: some YA-shaped things and some middle-grade sparks of possibility. But, if readers are searching for something more from me besides The Gauntlet, its companion The Battle, releases on August 27 from Simon and Schuster/Salaam Reads!

Thanks, Karuna — and congrats on the new release!

Before I wrap up today’s party, I’ve got two friendly reminders:

  1. Registration prices for the Walking on Water Conference increase after September 15 (yes, we extended it. If you are like us, our thoughts won’t fully turn to Fall until after Labor Day)! Get yourself signed up here.
  2. Catch up with the other We Need Diverse Books authors who’ll be part of the Walking on Water Conference: Sayantani DasGupta, Heidi Heilig, and moderator Caroline Richmond.

-Erin F. Wasinger, for MadeleineLEngle.com.

This week, we’re excited to get to know Sayantani DasGupta, a panelist on the We Need Diverse Books panel, which will be featured at the Walking on Water Conference this November. Writers associated with We Need Diverse Books  will talk about “The New Generation of Meg Murrys – What Fantasy & Speculative Fiction Inspire,” and will feature Sayantani, Heidi Heilig, and Karuna Riazi, with moderator Caroline Richmond.

Sayantani is the author of a series of books that finds its inspiration in L’Engle’s Wrinkle in Time series. Hear, in her own words, how Madeleine’s work made hers soar:

What excites you about the Madeleine L’Engle Conference?

Everything! I’m a huge fan of both the Wrinkle in Time series and the Austin Family series. Of course my own Bengali folktale and string theory inspired Kiranmala and the Kingdom Beyond series was very much influenced by Madeleine L’Engle’s work! In fact as a physician-writer who uses lots of space science in her fantasy series, it was Madeleine L’Engle who first taught me that stories and science can go hand in hand.

Do you have a Madeleine story/quote/moment that has inspired you?

“You have to write the book that wants to be written. And if the book will be too difficult for grown-ups, then you write it for children.”

In what ways does a legacy like Madeleine’s inspire the way you create art for a new generation?

As I mentioned above, L’Engle’s books were the first place I learned that science and stories are not opposites, but partners. My entire career is at the intersection of science and story (I teach, after all, in a program for Narrative Medicine). In addition, my fantasy series from Scholastic (The Serpent’s Secret, Game of Stars and the soon-to-come-out The Chaos Curse) is very much influenced by the space science and metaphysics of A Wrinkle in Time. To me, string theory and parallel universes seemed the perfect metaphor for the immigrant experience — immigrants are, to me, galaxy hoppers and space explorers!

What are you working on now?

A secret project, possibly a follow up to the Kiranmala and the Kingdom Beyond series. (Shhh!)

Thanks, Sayantani! Follow the links to several more fun endorsements of the links between her work and Wrinkle in Time:

1. Click here for an online interview at Booklist, in which Sayantani discusses L’Engle’s work.

2. Don’t miss this LA Review of Books Review of The Serpent’s Secret, in which they say the following: “Kiran’s journey through space, complete with moving mountains and black holes, felt like a wink to Madeleine L’Engle’s A Wrinkle in Time (1962). The reader feels a sense of connection to other stories they have loved, while also appreciating the unique qualities of characters they have never encountered before.”

3. A Barnes and Noble Blog Interview in which she mentions both A Wrinkle in Time book and film.

4. This list of nine diverse sci-fi fantasy books to read after A Wrinkle in Time. 

One more thing: Just in case you’re on the fence, early-bird pricing goes up in just a bit! Register for the Walking on Water Conference before August 31!

–Erin F. Wasinger, for MadeleineLEngle.com.

Dear Ones,

We’re happy to help announce and promote BREAK OUT: a movement to (re)integrate incarcerated writers into literary community, an effort from The Poetry Project and the PEN America Prison and Justice Writing Program.

Throughout the month of September, over two dozen local reading series in New York City—and across the country—will feature the work of a currently incarcerated writer. The BREAK OUT series culminates with the 2019 PEN America Prison Writing Awards and Anthology Launch, the evening of September 18, 2019, at the Brooklyn Book Festival. This dynamic free-to-the-public program, held at St. Marks Church in Manhattan, features awarded works by incarcerated writers staged by Margo Jefferson, Cortney Lamar Charleston, Rachel Eliza Griffiths, T Kira Madden, Shaun Leonardo, and others TBA.

Madeleine was a participant in the prison writing program from their early days. When I was in college and graduate school in the late 1980s and early 1990s, I sometimes helped my grandmother, Madeleine L’Engle, with her mail. She received more than 400 letters a week at her New York apartment, Crosswicks (her home in Northwest Connecticut), and at her office at the Library of the Cathedral Church of St. John the Divine. It was at the Library where I first came across a letter from Ahmad Rahman. The envelope’s return address was Jackson State Penitentiary with a long identification number on it, and I asked my grandmother about it.

She told me that it was from her friend. She didn’t say much more about it to me that morning, as we were sorting and prioritizing work. While she read every piece of mail that crossed her desk, some letters she answered herself and some she dictated. She answered Ahmad Rahman herself, and had done so since they first began corresponding in 1976 as part of the PEN America prison writing program. Their first exchanges of letters were cautious, testing each other and building trust across race and class and gender and circumstance. It grew to be a deep friendship whose foundation was a love of writing and words, and a commitment to truth-telling and listening, even when that is difficult.

Ahmad Rahman was released from prison in 1992 after a gubernatorial pardon. He was the first prisoner in Michigan to earn a BA while incarcerated, and he went on to earn a Ph.D. and was a beloved professor at the University of Michigan. As I organized my grandmother’s papers following her death in 2007, I kept coming across letters and would occasionally try to find him (the state called him one name; he called himself another, and so it wasn’t a straightforward search). I was able eventually to reach out to him, and he and I corresponded and even met in person (something he and Madeleine were never able to do). He died suddenly of a heart attack in 2015 at the age of 64.

As part of the culminating event on September 18th, PEN will be announcing the creation of a mentorship award named in their honor. We’re excited to be part of that and will have more news as the date gets closer.

— Charlotte Jones Voiklis